McQueen comes home to happy, dark place at London fashion week
Brand returns to its physical and unconventional roots as it battles undergoes stark restructuring Back when a young Lee McQueen was showing at London fashion week, there was Dante, the show in a Hawksmoor church with a skeleton in the front row and a blaring soundtrack of organ music and gunfire. And there was Voss, where models were trapped inside a giant mirrored box set up as a psychiatric ward. Twenty-five years later, the Alexander McQueen brand returned from the Paris schedule to a creepily beautiful subterranean 17th century London chapel, with steel harnesses, bulky ankle strapped hee
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McQueen comes home to happy, dark place at London fashion week — Image credit: Composite: Indigital.tv
Brand returns to its physical and unconventional roots as it battles undergoes stark restructuring Back when a young Lee McQueen was showing at London fashion week, there was Dante, the show in a Hawksmoor church with a skeleton in the front row and a blaring soundtrack of organ music and gunfire. And there was Voss, where models were trapped inside a giant mirrored box set up as a psychiatric ward. Twenty-five years later, the Alexander McQueen brand returned from the Paris schedule to a creepily beautiful subterranean 17th century London chapel, with steel harnesses, bulky ankle strapped hee
