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China Box Office: ‘Resident Evil’ Dethrones ‘Traces of Justice’ to Claim Top Spot as Post-Holiday Market Cools

Constantin Film and Sony Pictures’ horror reboot “Resident Evil” took the crown at the mainland China box office during the Oct. 9–11 weekend, pulling in RMB81.2 million ($12.1 million) across the three-day frame, according to data from Artisan Gateway. Following its rollout on Monday, Oct. 5 in the latter stretch of the Golden Week holiday, […]

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Korea Box Office: Anime Feature ‘Chiikawa’ Edges Past ‘The Assassin(s)’ to Claim Weekend Crown

Japanese animated fantasy “Chiikawa the Movie: The Secret of the Mermaid Island” climbed to the top of the South Korean box office over the weekend of Oct. 9–11, winning a razor-thin admissions contest against local political thriller “The Assassin(s).” According to data from KOBIS, the tracking service operated by the Korean Film Council, the Toho-distributed […]

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Andrew Garfield Reacts to Oscar Buzz as ‘Artificial’ Gets Resounding London Reception: ‘So Flattered That Anyone Is Going to See This Film in the First Place’

“Artificial” isn’t hitting theaters until December, but Andrew Garfield is already sparking Oscar buzz for his performance as OpenAI CEO Sam Altman. Luca Guadagnino’s tech tale, which follows the five-day period in 2023 when Altman was fired and then rehired, earned rave reviews after its world premiere at New York Film Festival last week. Both […]

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Polygamy, Ghosts and Grief Collide in ‘Marlina’ Director Mouly Surya’s Busan Asian Project Market Drama ‘The Wife Who Can See Dead People (Or Jinn)’

A young bride who sees ghosts joins a polygamous Muslim household and forms a bond with one of her husband’s other wives in “The Wife Who Can See Dead People (Or Jinn),” the new project from Indonesian director Mouly Surya (“Marlina the Murderer in Four Acts”). The project is part of the Asian Project Market, […]

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How Busan Title ‘Selvi’ Turns a Nurse’s Working Hours Into an Endurance Test

A homecare nurse whose working day stretches from 12 hours to 72 sits at the center of “Selvi,” the first feature from Tamil filmmaker Sailesh Rathnakumar, which premieres in the Busan International Film Festival’s Vision–Asia section. Anjali Patil plays the title role and produces through her banner Anahat Films. Rathnakumar wrote the screenplay with cinematographer […]

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Locarno Title ‘Rapture’ Director Dominic Sangma Confronts Unregulated Stone Mining in Busan Asian Project Market Drama ‘Veil of Dust’

A villager maimed by a mining blast and his wife’s fight for compensation open up a story of exploitation, complicity and indigenous belief in “Veil of Dust,” the new project from “Rapture” director Dominic Sangma. The project is part of the Asian Project Market, which runs within the Busan International Film Festival’s Asian Contents & […]

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‘Bedford Park’ Star and Busan Juror Moon Choi on Locking Away Her Trophies and Plotting a Screen Version of a Molière-Winning Play

For several years after the biggest run of her career, Moon Choi, known in Korea as Choi Hee-seo, kept her trophies out of sight. The haul was substantial. Her turn as Japanese anarchist Kaneko Fumiko in “Anarchist from Colony” swept Korea’s new actress prizes, and her lead role in independent feature “Our Body,” which bowed […]

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‘The Riverbank,’ ‘Elza’ Top Rio Film Festival Awards as ‘On Behalf of My Son,’ ‘The French Teacher’ and ‘London’ Scoop Key Prizes

Enock Carvalho and Matheus Farias’ Locarno-winning “The Riverbank” has taken Best Fiction Feature Film at this year’s Rio Film Festival, with Eryk Rocha’s “Elza” scoring Best Documentary Feature Film. The awards were handed out tonight at an imposing ceremony at Rio de Janeiro’s legendary Odeon cinema. “The Riverbank” is set in Recife and follows young […]