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The Austrian tenor is presented with the pianist Guillermo García Calvo in the CNDM series and the Teatro de la Zarzuela with a 'Bella molinera' plagued with problems of tuning that only went up the flight in the wagnerian tip
Cédric Tiberghien finishes the recording of all the piano variations cycles of the German composer, a rare plot of his catalogue that gives us numerous surprises
The Italian links with austerity and glow to Bach, Debussy and Chopin at the Pilar Bayona Grand Solist Cycle in Zaragoza, with the program that today inaugurates the Scherzo Foundation season in Madrid
At the gates of the centenary of the 27 generation, we reconstructed the history of modernizing classical music at the time reached the greatest tune
The Russian-Austrian soprano returns to the Barcelona theatre after five years in the 'Aida' of Verdi that opens the season, next to Ekaterina Semenchuk, Artur Ruciński and a correct Antonello Manacorda, in the anti-war production and without the leadership of actors of the Iranian visual artist
His brilliant musical direction and the Titular Orchestra support Puccini's first great success in a season opening, which was lashed by the performing contradictions and by an unconvincing leading cast, led by Sondra Radvanovsky and Michael Fabiano
The stage director Carlos Wagner and the master Nicola Luisotti inaugurate the thirty-seventh season of the Madrid Coliseum with the first great success of the Italian composer, who has not scheduled since 1924
The Catalan musician is honoured for the first time in the Lower House on the occasion of the International Day of Peace and the 150th anniversary of the violonchelist
The legendary 83-year-old Argentine director closes with his orchestra of young Israelis, Palestinians and Arabs the first edition of the Escorial Scene Festival two days after cancelling in Dortmund for health problems
The American director opens the season in the National Auditorium with the premiere of 'Desire took delight', an imaginative portico by Mikel Urquiza on fragments of Safo, and with a proud National Choir next to a brilliant and compact orchestra
