International news in seven languages
Topic
It might have taken pioneering explorer Amyr Klink one hundred days to cross the Atlantic, but it took Carlos Saldanha almost three thousand to bring his story to the big screen. After nearly a decade working on the epic, the “Ice Age” and “Rio” director is finally bringing “100 Days” to audiences as the Brazilian […]
At MIPJunior, it’s not often that a little creeper gets put out on center-stage. But on Oct. 10, as “Migali” makes its world premiere in front of buyers from all across the globe, a tiny spider princess seems to be set on weaving webs of laughter and fun at the unmissable Cannes children’s TV market. […]
Generative AI can widen the options for a visual effects shot, but artists still decide which of them serve the story, according to James Rustad, global head of GenFX at Eyeline, Netflix’s in-house VFX studio. Rustad made the case at an InnoAsia session “Making What’s Next: Generative AI and the Future of Filmmaking at Eyeline,” […]
The major problem for so many kids content producers these days is getting their series financed. Many are now at Mipcom, the world’s biggest annual TV confab set to take place from Monday in Cannes, the same French Riviera city that hosts the legendary film festival. Proceedings kicked off Saturday with MipJunior, the kids & […]
Hollywood’s appetite for Asian stories has broadened, but for Lionsgate’s Helen Lee-Kim, “every movie is still a fight.” Lee-Kim, the studio’s president of international, made the remark at the Busan International Film Festival’s Asian Contents & Film Market during the panel “UTA × Gold House: Hollywood & The Asian Diaspora,” moderated by Variety‘s Asia Editor […]
The Asian Contents & Film Market (ACFM) should grow beyond its four days in Busan into a platform that runs all year, director Ellen Y.D. Kim tells Variety. She adds that public money for the market has not grown alongside it. Kim calls the idea ACFM 365. It would be a permanent database and matchmaking […]
Spain’s TV industry is shifting gears as international buyers grow more selective, prompting its leading operators to rethink their series business. Pay TV operator Movistar Plus is scaling up in Spanish originals. Atresmedia is strengthening its longstanding relationship with Netflix, while Mediterráneo Mediaset is placing a large emphasis on international sales. Meanwhile, public broadcasters are […]
Netflix research found that 67% of surveyed members internationally expressed interest in visiting South Korea. For the streamer’s Sung Q Lee, the pull lies in the stories set there, rather than the scenery alone. Lee, Netflix’s senior director of APAC production, made the case at the opening masterclass of Creative Asia, which Netflix and the […]
Vietnamese supernatural horror film “Bloodline: The Curse Within” will be introduced to international buyers by Mockingbird Pictures at the Asian Contents & Film Market (ACFM), the market of the Busan International Film Festival. The company holds worldwide distribution rights to the film, which will open in theaters across Vietnam on Dec. 25. Directed by Đinh […]
Over the last two years, no Spanish company has helped drive Spanish content onto the world stage more than Movistar Plus, the biggest Spanish pay TV/SVOD operator. Since 2025 alone, Movistar Plus Originals have scored the two top prizes at Series Mania with “Querer” and “Celeste,” has earned two Oscar nominations with “Sirāt,” while “La […]
World War II espionage drama “Operation Doolittle,” a China-U.S. co-production starring Edward Zhang, Casper Van Dien and Jeff Fahey, is heading to the Busan International Film Festival’s Asian Contents & Film Market, where Cappu Films is presenting it to buyers as worldwide sales agent. The nine-part series, made up of 60-minute episodes, also stars Ning […]
Alejandro Hidalgo, director of “The Exorcism of God,” is set to make “The Hungry One,” a supernatural horror film unfolding over Malaysia’s Hungry Ghost Festival. Kuala Lumpur-based Abnormal Studios is handling worldwide sales and is introducing the project at the Busan International Film Festival’s Asian Contents & Film Market. Singapore-based Clover Films has already picked […]
A Phnom Penh-set reworking of Kwon Hyung-jin’s 2010 South Korean drama “Wedding Dress” is the lead title for Malaysia’s Abnormal Studios at this year’s Asian Contents & Film Market in Busan, where the company is selling the film ahead of its local release. The new version centers on Dalin, a single mother who designs bridal […]
Psychological horror “Arithmadtic,” set in an elite international school, leads a genre-heavy slate that Vietnam’s Bee Entertainment is presenting to buyers at Busan’s Asian Contents & Film Market (ACFM). Vietnamese films grossed more than VND3 trillion ($114 million) at home in 2025, outperforming international titles in the local market for the first time. Bee is […]
A widowed programmer who builds a digital copy of his late wife ends up turning grief into a business in “Talk to Me When You Are Dead,” the debut feature from Singapore’s Alvin Lee, produced by Anthony Chen and Gina Tan. The project is part of the Asian Project Market, which runs within the Busan […]
A woman who has spent a decade shut inside a room at a rural love motel, waiting for the man who left her, discovers that the motel has been staging her love life all along in “Satellite of Love,” the fourth feature from South Korean filmmaker Park Syeyoung (“The Fin”). The project is part of […]
The pull between leaving Pakistan and staying rooted there drives “Dancers,” writer-director Eshah Shakeel’s coming-of-age drama about two young people in a Punjab town near Lahore who bond through clandestine dance lessons. The project is part of the Asian Project Market, which runs within the Busan International Film Festival’s Asian Contents & Film Market. Paras […]
World sales rights to Yashasvi Juyal’s debut feature “The Ink-Stained Hand and a Missing Thumb,” which premiered in Karlovy Vary’s Proxima Competition, have gone to Bangkok-based Diversion. The film’s next stop is the Singapore International Film Festival, where it will have its Asian premiere in the Asian Feature Film Competition. Uttarakhand-based Silvercord Films produced the […]
Something is emerging in Vancouver’s independent film scene. For years, the city has primarily played the role of somewhere else — a cheaper Seattle, New York or generic American city. Its landscapes, tax incentives and favorable exchange rate drawing in Hollywood productions. But increasingly, independent filmmakers are choosing to cast Vancouver as… well… Vancouver. One […]
“I don’t know what to tell you.” For a time, that was Jeissy Trompiz’s answer when his Brazilian filmmaker friend would ask him about Venezuela. Trompiz left Maracaibo, the oil city where he grew up, in 2014 to study filmmaking at the International School of Film and TV in Cuba, just before Venezuela’s economic and […]
