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Maha Harada spent two decades building scenes on the page before she ever stood behind a camera. Now 64, the best-selling Japanese author is making her feature directorial debut with “In My Father’s Room,” a film adapted from her own short story “An Unnecessary Man,” and it arrives in competition at the San Sebastian Film […]
Maha Harada spent two decades building scenes on the page before she ever stood behind a camera. Now 64, the best-selling Japanese author is making her feature directorial debut with “In My Father’s Room,” a film adapted from her own short story “An Unnecessary Man,” and it arrives in competition at the San Sebastian Film […]
